17th New York Asian Film Festival

Jun 29 - Jul 15, 2018

Photo: Courtesy of M-Line Distribution

North American Premiere

Microhabitat

소공녀

When the price of cigarettes goes up, part-time housekeeper Miso decides to cut out one of her other expenses: rent. She leaves her small apartment and couch surfs with college friends, occasionally enjoying a glass of whiskey at her favorite café. Unlike many of the thirty-somethings with whom she reconnects, Miso has retained her free spirit, which she must use as navigates through their various hang-ups. This strikingly original first feature effortlessly balances humor and pathos as it uses quotidian surroundings to create a magical space.

Director: Jeon Go-woon
Cast: Kang Jin-a, Kim Jae-hwa, Choi Duk-moon, Ahn Jae-hong, Esom
Languages: Korean with English subtitles
2017; 102 min.; DCP

SCHEDULE:

Tuesday July 10, 6:30pm
Film Society of Lincoln Center

Q&A with director Jeon Go-woon and actor Ahn Jae-hong

Ahn Jae-hong
안재홍

Ahn Jae-hong began his career in short films. A student of Hong Sang-soo, he was cast in The Day He Arrives and has since appeared in several of the auteur’s films. After a pivotal role in The Sunshine Boys (2012) Ahn’s breakthrough came in the independent sleeper comedy The King of Jokgu (2013). This led to a popular turn on the TV series The Reply. A master of comedy with a maverick edge, Ahn has acted in blockbusters such as Fabricated City (NYAFF 2017) while also pursuing more artistic endeavors such as his role as the elusive boyfriend in Microhabitat.

Jeon Go-woon
전고운

South Korean actress, producer, director and screenwriter Jeon Go-woon graduated from Konkuk University and majored in directing at Korea National University of Arts. She directed several short films including Bad Scene and the prize-winning Too Bitter to Love. In 2013 she founded the independent production company Gwanghwamun Cinema with a group of young filmmakers where she produced Sunshine Boys, sleeper hit sports comedy The King of Jokgu and The Queen of Crime, in which she also acts. Microhabitat marks her first feature as director. Despite its low budget it is an impressively polished film with original storytelling and outstanding mise-en-scene.