Photo: ©Studio Bill
The Killers
Just when you thought cinema had emptied the ammo on hitman flicks, along comes this wildly inventive anthology refreshingly re-targeting the genre. Ostensibly inspired by Hemingway's 1927 short story, these four turbocharged riffs on contract killing in our chaotic times are the work of Korean genre masters making their NYAFF bona fides proud.The helmers have variously contributed a vampire thriller oozing sexy splatter and undead subversion; an assassins-gone-foolishly-awry black comedy like Quentin Tarantino karaoke; a dangerously seductive neo-noir drenched in triple-cross betrayals; and a whiplash-inducing experimental mash-up in gloriously assaultive monochrome. Each indelibly stylized entry achieves stratospheric levels of bravura excess. The versatile Shim Eun-kyung stars in three, indelibly transforming from one incarnation to another. But the entire A-list cast slays with relish. By anthology's end, you'll be double-tapped—creatively annihilated yet perversely revived.